Tune Supply Virtual Sound Board


On our final Omicron-Era Virtual Session tonight (Monday, February 7th) we’ll be playing virtual bingo! The list of prizes is below. We will attempt to keep this up to date as sessioneers win these prizes! In order to get your custom bingo board, click here.

  • A 45-minute online lesson with your choice of Tune Supply teaching artists

  • A Tuneogram delivered to you or your choice of gift recipient (2)

  • Your choice of a custom-transcribed tune printed on a shipping label

  • A batch of cookies made by Caitlin and sent to you through the postal service (2)

  • A Warbelow Range CD or download

  • A Manhattan Island Sessions CD or download (2)

  • A $25 Mary O’s gift card


Recreate virtual session shenanigans from the comfort of your own home “pub” with this collection of sound effects!
If you’re looking for the session “Cliff Notes,” which are updated through session #30, they are here.

 
 
 
 
 

Bonus Tunes to Learn for January 31

Listen to “Luca at the Beehive” here


Lyric’s for Ashley Davis’s song “How Can I Live at the Top of the Mountain (Bonnie Blue Eyed Nancy)”

How can I live at the top of the mountain
With no money in my pocket and no gold for to count it?
But I would let the money go all for to please her fancy
And I would marry no one but my bonnie blue-eyed lassie

She's my bonnie blue-eyed lassie with an air so sweet and tender
Her walk, like a swan that floats, and her waist so small and slender
Her golden hair in ringlets fell all on her snow-white shoulders
And I'd ask her for to marry me, and there's no one could be bolder

Some people say that she is very low in station
And other people say she'll be the cause of my ruination,
But let them all say what they will, to me she will prove constant still
Till the day that I die she will be my own lovely lady

Lightly swims the swan o'er the clear and flowing water
And blithely sings the nightingale, so happy to behold her
The winds do blow, the moorcocks crow, the moon, it shines so deeply
But deeper by far is my love for my own lady


Irish Cream recipe from Lynn Hayes for Jan. 17th (2022) session!

Makes just short of 4 cups

  • 1 cup heavy cream

  • 1 (14-ounce) can sweetened condensed milk

  • 1 teaspoon espresso powder or finely ground coffee

  • 1 teaspoon unsweetened cocoa powder

  • 1 cup Irish whiskey

  • 1 teaspoon real vanilla extract

Throw all the ingredients into a blender and blend until smooth. Transfer to a glass bottle and refrigerate. Shake before each use.


Here’s the setlist for the June 17th session:

Crested Hen (Em)/Rakish Paddy (Am)/Golden Stud (Em)
Timmy Clifford (G)/Banks of Lough Gowna (Bm)/Nightingale (Am)
My Former Wife (Am)/The Killavil (Em)/Happy to Meet Sorry to Part (G)
Jenny Picking Cockles (Dmix)/The Earl’s Chair (D)
Preston’s (G)/Crossing the Shannon (D)/Green Fields of Rossbeigh (Em)
Lark in the Mountain (G)/Devlin’s (Bm)/Cordal Jig (D)
The Frieze Britches (Dmix)/The Old Favourite (G)
The Rainy Day (Am)/The Shaskeen (G)
The Wedding Reel (D)/The House of Hamill (Em)
The Destitution (Am)/Mál Bhán Ní Chulieannan (Am)
John O’Dreams


“Cockles and Mussels” Lyrics for June 10th session!

In Dublin's fair city
Where the girls are so pretty
I first set my eyes on sweet Molly Malone
As she wheeled her wheel-barrow
Through streets broad and narrow
Crying, "Cockles and mussels, alive, alive, oh!"

Alive, alive, oh
Alive, alive, oh
Crying "Cockles and mussels, alive, alive, oh"

She was a fishmonger
And sure 'twas no wonder
For so were her father and mother before
And they both wheeled their barrows
Through streets broad and narrow
Crying, "Cockles and mussels, alive, alive, oh!"

Alive, alive, oh
Alive, alive, oh
Crying "cockles and mussels, alive, alive, oh"

She died of a fever
And no one could save her
And that was the end of sweet Molly Malone
But her ghost wheels her barrow
Through streets broad and narrow
Crying, "Cockles and mussels, alive, alive, oh!"

Alive, alive, oh
Alive, alive, oh
Crying "cockles and mussels, alive, alive, oh"

Here’s the setlist for the June 3rd session:

Maids of Mount Kisco (Am)/Jackie Coleman’s (D)/The Mountain Top (G)
Boys of Bluehill (D)/Off to California (G)
Boys of the Town (G)/Tar Road to Sligo (Bm)
The Chattering Magpie (G)/The Sailor’s Bonnet (D)
Farewell to Connaught (Dmix)/The Ashplant (Em)/McGettrick’s (G)
King of the Pipers (Dmix)/The Rambler (A)/Cordal Jig (D)


Here’s the setlist for the May 20th session with Caitlin and Chris:

Maison de Glace (D)/The Old Flail (G)/Stan Chapman's (A)
The Oak Tree (D)/Man of the House (Em)/Mason's Apron (A)
The Frost is All Over (D)/The Coming of Spring (Em)
The Jolly Roving Tar (D)/The Dances at Kinvara (G)
Crabs in the Skillet (Gm)/Miss Crawford (Gm)
Road to Boston (D)/Rakes of Mallow (G)/Maids of Ardagh (D)
Garryowen (D)/The Orphan (Em)/Kerfunten (D)
Farewell to Whally Range (F#m)/An Phis Fhliuch (D)/Reddican’s Mother (D)
Alexander’s (D)/Cronin’s (G)
Porthole of the Kelp (Dm)/Moving Cloud (F)/Julia Delaney (Dm)

Here’s the setlist for the May 7th session with Cillian Vallely and Matt Mancuso:

My Darling Asleep (D)/The Black Rogue (D)/Hardiman’s Fancy (D)
The Boys of Ballycastle (Em)/Mrs. Galvin’s (D)
Fisherman’s Slip Jig (D)/Give Us a Drink of Water (G)/Hardiman the Fiddler (D)
The KIllarney Boys of Pleasure (Em)/ The Killavil Fancy (G)/Dan Breen’s (Am)
Rolling in the Ryegrass (D)/The Crooked Road to Dublin (G)/Toss the Feathers (Em)


Here’s the setlist for the April 1st session with Katie McNally and Neil Pearlman:

Spootiskerry/Sleep Soond Ida Mornin/St. Kilda Wedding Reel
Miss Lyall’s Strathspey/Miss Lyall’s Reel/Jack Daniel’s
Neil Gow’s Lament for the Death of His Second Wife
I Won’t Do the Work/Drummond Castle/Famous Baravan
Hughie Shorty’s/Road to Errogie

Here’s the setlist for the April 15th session with John Redmond and Matt Stapleton:

Earl's Chair (Bm)/Galway Rambler (G)/Torn Jacket (D)
Timmy Clifford's (G)/Stan Chapman's (A)/Millers Maggot (G)
Farewell to Ireland (D)/Hare's Paw (G)/Spootiskerry (G)
Ballydesmond Polkas (Am/G/Am)
Lady Ann Montgomery (G)/Flogging Reel (G)/Boyne Hunt (D)

Here’s the setlist for the April 8th session with Mari Black and Frances Cunningham:

Roaring Barmaid (G)/The Road to Banff (D)/Stan Chapman's (A)
The Tempest (Dm)/Man of the House (Em)/Frank's Reel (A)
The Fairy Jig (G)/Another Jig Will Do (D)
Da Slockit Light (D)/The Rights of Man (Em)/The Reconciliation (A)
Union Street Session (D)/Brenda Stubbert's (Am)/High Road to Linton (A)

Here’s the setlist for the April 22nd session with Nuala Kennedy and Tara Breen:

Queen of the West (D)/Daisy Bell (D)/Concert Reel (G)
Happy Are We All Together (song) (C)
Legacy Jig (F)/Headwood Crossing (C)
Round the House and Mind the Dresser (G)/The Roscommon (Em)/Ships are Sailing (Bm)
Travers’ #2 (Am)/Fred Finn’s (A)/The Holly Bush (E mix)


MONSTER SESSION Setlist!

Na Ceannabháin Bhána (G)/The Black Rogue (D)/The Humours of Lisheen (G)
The Galway Rambler (G)/The Bucks of Oranmore (D)
Shandon Bell’s (D)/Swallow’s Nest (Em)/Donnybrook Fair (G)
The Ship in Full Sail (G)/The Bohola Jig (D)/The Gentleman’s Heart to the Ladies (A)
Christy Barry’s #1 (G)/Christy Barry’s #2 (G)
If There Were No Women in the World (G)/Joe Bane’s (A)
Morning Mist (D)/Bohola Jig (D)/The Doonagore (G)/Free and Easy (D)
The Humours of Lisheen (G)/The Leg of the Duck (D)
Farewell to Nigg (Bm)/Return From Fingal (Em)/Dever the Dancer (Em)
The Frieze Britches (D)/Langstrom’s Pony (Amix)/Padghin O’Rafferty (D)

Manus recorded his set for you to learn ahead of time…thank you Manus!


Here’s the setlist for the March 11th session with Mirella Murray and Kathleen Boyle!

Kathleen has provided sheet music for a few tunes, linked below:
The Green Mountain (D)/Tom Ward’s Downfall (G)/The Cup of Tea (Em)
Michael Burke’s (D)/Na Ceannabháin Bhána (G)/James Byrne’s (D)
The Homecoming (G) (by Kathleen Boyle)
Phyllis’ Birthday (F)/The Torn Jacket (A)
The Diamond (D)/Fanny Power (G)


Here’s the setlist for the March 5th session with Alasdair White and Patrick Doocey!

Dawn Chorus (G)/The Old Flail (G)/Boys of Ballymote (A)
The Meelick Team (Em)/Mist on the Mountain (Am)/ The Bank of Turf (D)
Strathspeys: The Sweetness of Mary (A)/Calum’s Road (D)
The Mountain Top (G)/The Old Bush (Am)/The Killavil (G)
The Bird’s Nest (Am)/Maud Miller (G)/Jenny Dang the Weaver (D)


Here’s the setlist for the Feb. 18th session with Colin Farrell, Matt Mancuso, Peter Browne, and Declan Masterson!

Reels : Pigeon on the Gate (Em)/My Love is in America (D)
Jigs: The Coming of Spring (Em)/Tumble the Tinker (G)/The Girl from the Big House (D)
Polkas: Bill Sullivan’s (A)/Galway Belle (Em)
Reels: Kerry Reel (Em)/Reel of Rio (G)/The Sailor on the Rock (D)
Jigs: The Battering Ram (G)/Cliffs of Moher (Am)/Rambling Pitchfork (D)


Here’s John Redmond’s setlist for his February 11th session with Matt Stapleton:

Saddle the Pony (G)/My Darling Asleep(D)/Merrily Kiss the Quaker (G)
Woman of the House (G)/Maud Miller (Em)/Silver Spear(D)
Mountain Road (D)/Tommy Peoples (G)/Wind That Shakes The Barley (D)
Snowy Path (D)/Cock and The Hen (F#m)/Gan Ainm (B)
Mayor Harrison's Fedora (Em)/Paddy Taylor's (Dmix)/James Byrne's (G)

John has kindly recorded the last of these sets at a slow speed, so you can learn/practice ahead of time. The video is to the right. Thank you, John!


Here’s David Munnelly’s setlist for his February 4th session with Shane McGowan:

Queen of the Fair (D)/Blarney Pilgrim (G)
Aggie Whyte's (G)/Bunker Hill (Dm)
Dublin Reel (G)/Dick Gossip's (D) (David plays the Clare version of Dublin Reel, fyi...a bit different than the "usual" version.)
The Duke of Leinster (G)/The Sligo Maid (Am)
Hayes' Barndance/The Chaffpool Post (G)

And special guests James Cleveland and Ken Borgeson will be leading these two sets:
Polkas: Maggie in the Wood (G)/Schmitt Farm Polkas (D and Gm/Dm)/John Ryan's (D)
Hornpipes: The Galway (D) - Off to California (G) - The Belfast (D)


Here are the tunes to learn for the January 28th Session: Michael Coleman’s 130th Birthday Celebration!
Thanks to Devin Shepherd for recording these lessons.

O’Neill’s Hornpipe: Basic Version

O’Neill’s Hornpipe: 1st Part Broken Down

O’Neill’s Hornpipe: 2nd Part Broken Down

Liverpool Hornpipe: 1st Part Broken Down

Liverpool Hornpipe: 2nd Part Broken Down

Setlist for the January 28th session:
1. Cherish the Ladies (D): Here's Coleman playing
2. Jackson's Jig (G)/The Tar Road to Sligo (D but starts on Bm chord): Here's Coleman playing
3. The Liverpool Hornpipe (D)/O'Neill's (G) (also called Pretty Maggie Morrissey): Here's Coleman playing. (See above for Devin’s teaching videos of O’Neill’s!)
-Sheet music for Liverpool Hornpipe is here. Sheet music for O’Neill’s Hornpipe is here.
4. The Duke of Leinster (G)/Duke of Leinster's Wife (D mix)/Lucy Campbell (D) : Here's Coleman playing Lucy Cambell
5. East to Glendart (D)
6. Dairy Maid/Reel of Bogie


Here’s a tune that Avocado will play on the Christmas Eve session along with James Yoshizawa!

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Links for THE FUTURE Session relating to AI, neural networks, and traditional music: December 17th


https://soundcloud.com/oconaillfamilyandfriends
http://kth.diva-portal.org/smash/record.jsf?pid=diva2%3A1248565&dswid=-2509
http://kth.diva-portal.org/smash/get/diva2:1248565/FULLTEXT02.pdf
https://aiweirdness.com/post/159062141927/irish-tune-names-invented-by-neural-network
https://highnoongmt.wordpress.com/2015/05/22/lisls-stis-recurrent-neural-networks-for-folk-music-generation/


Lyrics for Virtual Session #48: Bonus Session: “Will You Go Lassie, Go”

Will ye go lassie, go?
And we'll all go together
To pluck wild mountain thyme
All around the blooming heather
Will ye go lassie, go?

I will build my love a bower
Near yon pure crystal fountain
And on it I will pile
All the flowers of the mountain

Will ye go lassie, go?
And we'll all go together
To pluck wild mountain thyme
All around the blooming heather
Will ye go lassie, go?

If my true love she were gone
I would surely find another
Where wild mountain thyme
Grows around the blooming heather

Will ye go lassie, go?
And we'll all go together
To pluck wild mountain thyme
All around the blooming heather
Will ye go lassie, go?

Oh, the summertime is coming
And the trees are sweetly blooming
And the wild mountain thyme
Grows around the blooming heather

Will ye go lassie, go?
And we'll all go together
To pluck wild mountain thyme
All around the blooming heather
Will ye go lassie, go?

Lyrics for CTARS #5, October 22nd


Cailín Deas Crúite Na mBó

It being on a fine summer’s morning
As the birds sweetly tuned on each bower
I heard a fair maid sing most charming
As she sat milking her cow
Her voice was enchanting melodious
Which left me scarce able to go
My heart, it was soothed and solaced
By the cailín deas crúite na mbó

I courteously did salute her
“Good morning, most amiable maid
I’m your captive slave for the future”
“Kind sir, do not banter,” she said
“I’m not such a precious rare jewel
That I should enamour you so
I am but a plain county girl”
Says the cailín deas crúite na mbó

“The Indies afford no such jewels
So precious, so transparent clear
Oh do not refuse me, my jewel
Consent now and love me, my dear
For riches I care not a farthing
It’s your love that I'd want and no more
I’d rather live poor on the mountain
With my cailín deas crúite na mbó”

“I don’t understand what you mean, sir
I ne’er was a slave yet to love
For these feelings I have no desire
I pray your affection remove
To marry, I can assure you
Tis a state I would not undergo
I’m prepared to live single and airy”
Says the cailín deas crúite na mbó

Nancy Spain

Of all the stars that ever shone
not one does twinkle like your pale blue eyes
like golden corn at harvest time
your hair sailing in my boat,
the wind gently blows and fills my sail
You sweet scented breath is everywhere

CHORUS
No matter where I wander I'm still haunted by your name
the portrait of you beauty stays the same
standing by your ocean wond'ring where you've gone if you'll return again
where is the ring I gave to Nancy Spain

Daylight peeping through the curtains of the passing nighttime
is your smile the sun in the sky is like your laugh
Come back to me Nancy and linger for just a little while
since you left these shores I know no peace or joy

CHORUS

On the day in spring when snow starts to melt
and streams to flow with the birds I'll sing to you a song
in a while I'll wander down by Bluebell Grove
where wild flowers grow and I'll hope my lovely Nancy will return

CHORUS


Here’s the first ever Mary O’s Virtual Session Crossword! Click on it to open the file, print it out, and submit your answers to tunes@tune.supply during the October 1st virtual session for your chance to receive an Alaskan prize: MOOSETARD. First fully completed and correct submission wins!

Here are the letters drawn during the Alderson’s Boggle game. Use these letters to find your own Boggle words in order to win a Chicago prize: A Yanks CD, signed by Isaac himself! Award yourself points as follows: 3- or 4-letter words get ONE POINT, 5-letter words get TWO POINTS, 6-letter words get THREE POINTS, etc. Put your total score in the chat during the virtual session on October 1st. Highest score wins, but the winner must submit your answers to tunes@tune.supply for verification by Isaac, in order to win the prize!


Peter Rahill’s composition:
“Whiskey In The Basement”

Thanks for sharing it with us, Peter!

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Flute Mask Instructions by Lisa Danforth:

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Peter Rahill’s Limoncello Recipe (Featured on the 6/25 session):

Limoncello Recipe

(takes 14 days)

Day 1-step 1:   

Remove yellow ‘zest’ from the skin of 10 ripe fresh lemons (no white stuff!)

per 750 ml. Grain Alcohol (one bottle of Ever Clear – highest grade available to you).

Place zest and alcohol in glass container, seal with plastic wrap.

Let stand for 10 days.

Day 11-step 2:

In large porcelain pot, dissolve 2 cups sugar per 2 cups heated - not boiling - water.

When sugar is completely dissolved, add in zest & alcohol mixture; let cool

Seal with plastic wrap and cover.  Let stand 24 hours.

Day 12-step 3:

Uncover, and scoop out the lemon zest from the mixture.

Using a fine strainer, pour what is left, through a funnel, going into seal-able bottles.

(save/clean/reuse Ever Clear bottles with screw-on caps);

Or – use similar-size glass/wine bottles with tight-fitting cork.

(For clearest results, strain several times through fine cloth or coffee filter).

Place the bottle(s) in the freezer for a couple of days.

Day 14-step 4:

Pour into aperitif-style/”cordial” glass; and enjoy as dessert;

straight-up, or over your favorite ice cream!

Note: keep/store unused portion in freezer; can last years.

Oh…and hide the car keys


Marta’s Pancake Recipe (Featured on the 5/7 session)

QUARANTINE OATMEAL PANCAKES 

(Vegan, easily gluten free) 

1.5 cups oats - any kind, I usually use old fashioned. Go for gluten free if you need that.  Cook with 2 cups water in the microwave for 2 min. 

6 tablespoons oil (any kind as long as it doesn’t have a flavor that would be weird in pancakes. Eg coconut would be good, but prob not olive oil unless you want to cut the sugar and make them savory pancakes.) Add the oil to the cooked oats and mix it up. If you want smoother pancakes you can blend this up with a cup of water. 

While the oats are in the microwave, mix dry ingredients: 

1 cup of flour (any kind. Gluten free flours work too. Today I used half Atta flour - Indian whole wheat flour for making flatbreads -and half rice flour.) 

1 and 1/4 teaspoons baking soda 

4-6 tablespoons of sugar (any kind, adjust depending how sweet you want it)

1/2 tsp salt 

Add the cooked oats (blended if you like) to the mixed dry ingredients, and and 2 tablespoons of vinegar (any kind - I have an ancient bottle of sherry vinegar.)

 If you blended and added water, you might be done once you add the vinegar - if it looks really thick add a bit more water. Different kinda of flours will want more/less water. 

If you didn’t use the blender just add the cooked oats (mixed with oil) and a cup of water and the two tablespoons of vinegar to the dry ingredients and mix it up by hand. 

Preheat your pan on medium heat and cook them like normal pancakes. Oil will help keep them from sticking but I have a pan that doesn’t need it so I don’t bother. 

They will spread more/be thinner and somewhat fragile, more like Swedish pancakes or Irish pancakes. Wait til they’re really dry on top to flip them. They take longer than regular American pancakes because of the lack of leavening and the fact that oats take longer to brown. (If you want them thicker and don’t mind a softer, oatmealy middle, just add less water.) 

I usually roll them up with butter/Jam/Nutella. Devin likes his with maple syrup. 

You can make the batter and wait to cook it but I think the pancakes are even better leftover so if you have time go for the whole batch. 

- If you have milk of any kind (vegan or not), feel free to use it instead of water, and you can add the vinegar to the milk to make a sort of buttermilk sub before you add to the pancakes. (Or if you have buttermilk just use that. 

-  If you have baking powder, add 4 teaspoons and cut the baking soda back to half a teaspoon. They’ll rise a lot more and be fluffier and closer to traditional pancakes than they will be without baking powder.  

- if you have vanilla extract, fruit, nuts, choc chips, etc, feel free to add those. Just bear in mind that with add-ins like fruit it’ll take longer to cook and be harder to flip. It’s doable and tasty, but just needs some extra patience especially if you’re doing it with water and baking soda the way I usually do. 

Other info from Marta:

1) Cabbage “emergency” kimchi, doenjang-jigae (soybean paste stew) and rice (recipes from the amazing Maangchi, leaving out stuff as needed but still came out awesome) 

https://www.maangchi.com/recipe/doenjang-jjigae

https://www.maangchi.com/recipe/yangbaechu-kimchi

Maangchi is not to be missed just in general. Especially this video of her actually making doenjang (soybean paste) from scratch. Part of the process involves boiling it for ages...outside, down by the Gowanus Canal...wearing a floppy hat and drinking a 40. https://youtu.be/PGhKwCq7SZk

2) Rava dosa (rice flour and cream of wheat crepes) from https://www.vegrecipesofindia.com/rava-dosa-crisp-rava-dosa/